Sunday, January 30, 2011

Better Than Ezra:"Falling Apart"


Better Than Ezra Formation and early success

Better Than Ezra was formed in 1988 by its four original members - vocalist and guitarist Kevin GriffinJoel Rundell, the lead guitarist; bassist Tom Drummond; and drummer, Cary Bonnecaze. All four members were attending Louisiana State University at the time of Better Than Ezra's formation. Their first practice also took place in 1988, shortly after the band's formation. Better Than Ezra's first public performance was at Murphy's in Baton Rouge, Louisiana, also in 1988. Though many theories abound, the band refuses to disclose the origin of its name. Fans of the group often refer to themselves as Ezralites.
Better Than Ezra circulated a demo cassette tape later in 1988, the Chimes Street Demo. While not an official release, this demo is sought-after by the band's fans, and traded by collectors. In 1990 the band released a cassette-only album, Surprise.
Joel Rundell, the band's lead guitarist, committed suicide on August 8, 1990. The remaining three members of the band took some time off to reassess its future following Rundell's death. However, Griffin, Drummond and Bonnecaze reunited Better Than Ezra as a trio by the end of 1990. The trio continued playing house parties and fraternity shows across southern United States during the early 1990s.
The band released its first nationally-distributed album Deluxe in 1993 on its own indie label, Swell Records, which caught the attention of major record labels and radio. Better Than Ezra signed with Elektra Records in 1995. Elektra Records rereleased Deluxe in 1995 and the single, "Good", reached the #1 position on the Hot Modern Rock Tracks chart which helped push the album to platinum record status by the end of 1995.
Success came quickly to Better Than Ezra. Tom Drummond commented later in a 1998 interview with CNN, "It took us seven years to get signed, and then seven weeks to get to No. 1." when describing the overnight success of Deluxe and its single "Good".

1996–2000

After Deluxe's major label release, original drummer Cary Bonnecaze left the band in 1996. He was replaced by drummer Travis McNabb, formerly of the band Vigilantes of Love, who was tapped to play on the band's upcoming album, Friction Baby. Bonnecaze's departure set off a series of lawsuits and counter-suits between Bonnecaze and Better Than Ezra.Bonnecaze, who brought his suit to the United States District Court in New Orleans, argued that the band owed him money "based on his role in fortifying the band's reputation," according to Rolling Stone. He asked for approximately $1 million dollars in damages. A settlement was reached between the band and Bonnecaze on August 5, 1999, while a jurywas simultaneously deliberating on the lawsuit. The exact terms of the settlement were not released at the time, though Better Than Ezra's manager John Isbell was quoted as saying that Bonnecaze received "way less" than the one million dollars he had originally requested.
Better Than Ezra released their second major label album, Friction, Baby, in 1996 through Elektra Records. Friction, Baby produced the hits "Desperately Wanting" and "King of New Orleans". Their sophomore release was not as commercially successful as Deluxe, but, as of 1999, sold almost 500,000 units.
The trio began work on their third major release, How Does Your Garden Grow?, soon after the end of touring for Friction, Baby. The album was recorded between mid-January and late-April at a studio in New Orleans. The album was produced by record producer Malcolm Burn and released on August 25, 1998. The sound of album was described "experimental" and a significant departure from their previous two albums. Griffin described the album in 1998 as "guitar driven ... rhythmic." Likewise, Tom Drummond described the band's thinking on its third major album, "We thought the third album was a very important record, because generally a band either makes or breaks on the third record. We wanted it to be a record that didn't necessarily sound like what people expected." Despite the emphasis on guitar experimentation, two tracks, "One More Murder" and "Je ne m'en souviens pas" contain no guitars.
The single "At the Stars" debuted, and peaked, at number 78 on the Billboard Hot 100. The band was dropped by Elektra Records following the release of How Does Your Garden Grow? in 1999.
Subsequent album releases from Better Than Ezra include Closer, (Beyond Records, 2001), Before the Robots, (Artemis Records, 2005) and Paper Empire.

2000–2008

The band released the B-Sides and rarities collection Artifakt on its own "Ezra Dry Goods/Fudge" label in 2000. Artifakt was only sold online. Tom Drummond, the band's bassist, noted in 2002, "It's basically an album full of rarities." 
Better Than Ezra, now no longer with Elektra Records, signed with the Beyond Records label and began work on new material. Drummond explained the reasoning for choosing a smaller label, "We decided we wanted to be big fish in a small pond instead of a little fish in a big pond. We just wanted to be with a label who wanted success as much as we did."
Griffin, Drummond and McNabb spent 18 months working on Closer, their follow-up album to 1998's How Does Your Garden Grow? and their first new material since being dropped by Elektra Records. The album was recorded in New Orleans in the band's own studio, which allowed the members to focus on creating music rather than rental costs per day.Closer was mixed in Los Angeles by Better Than Ezra and the album's producer, Brad Wood. However, the band felt that some tracks needed scratching. Producer Brad Wood's management company recommended DJ Swamp, who had previously worked with Beck, to mix several tracks. The use of a DJ for two of the album's tracks, the first single "Extra Ordinary" and "Recognize," marked a departure for the band, who hadn't previously employed a DJ before.
Closer was released on August 7, 2001. Better Than Ezra launched a tour in support of the album on July 26, 2001. The first single off the album, "Extra Ordinary," which had been mixed by DJ Swamp, was inspired by an AC/DC song which Griffin heard on the radio. The album's promotion hit a snag after its record label, Beyond Records, went out of business in 2002 shortly after Closer's release. Beyond Record's bankruptcy left Closer out of print for several years. In June 2009, Better Than Ezra announced that it had acquired the rights to Closer and would re-release it in the Fall of 2009 with two new previously unreleased tracks, "Simple Song" and "Screwed Up and Beautiful."
In June 2001, Better Than Ezra filmed a series of commercials for ESPN's College GameDay. The promo features the band while sports analyst Lee Corso crowd surfs to the stage, where he continues his sports reporting.
On September 28, 2004, the band simultaneously released their first live concert DVD, as well as an official live album, both entitled Live at the House of Blues New Orleans throughSanctuary Records. The DVD and album were filmed and recorded at two separate shows at the House of Blues in New Orleans during the summer of 2004.
Greatest Hits collection was released on March 15, 2005, through Rhino Entertainment, a division of the Warner Music Group.
Better Than Ezra's sixth studio album entitled Before the Robots (Artemis Records), was released on May 31, 2005. In 2005, Desperate Housewives creator Marc Cherry used the band's song "Juicy" as the background music for the second season of the show's promotional advertisements, which Griffin credited with bringing attention to the album. The song "Juicy" has also been heard in the background in commercials for Applebee's restaurants.

2009–2010

Longtime drummer Travis McNabb left Better Than Ezra in February 2009, and their last performance together was Family Gras in Metairie, Louisiana. The primary reason given for his departure was the demand on his time by country and bluegrass group, Sugarland, with whom McNabb had previously been touring for some time. The split was amicable, with bassist Tom Drummond saying, "It's bittersweet. He's fantastic. We're still good friends, and there are no hard feelings. We'll miss him. But this is an opportunity he needed to take." Following his departure, McNabb remained on the board of the band's charity, The Better Than Ezra Foundation.
Announced at the same time was McNabb's replacement, New Orleans-based drummer Michael Jerome, formerly of the band Pleasure Club. In addition, Better Than Ezra announced the May 12, 2009 release date for their seventh studio album, entitled Paper Empire, which is produced by Warren Huart and singer Kevin Griffin. The first single, "Absolutely Still" was released for iTunes purchase on March 17.
On January 22, 2010, American country-pop singer Taylor Swift covered "Breathless" at a performance on Hope for Haiti Now: A Global Benefit for Earthquake Relief, a charity telethon to benefit the victims of the 2010 Haiti earthquake.

Spin Doctors:"American Alternative Bands"


Spin Doctors are an American alternative rock band formed in New York City, best known for their early 1990s hits, "Two Princes" and "Little Miss Can't Be Wrong", which peaked the Billboard Hot 100 charts at #7 & #17 respectively.
The current members are Chris Barron (vocals), Eric Schenkman (guitar and vocals), Aaron Comess (drums and percussion), and Mark White (bass guitar).

The history of the Spin Doctors can be traced back to the late 1980s in New York City, originally as a band called Trucking Company, which included Canadian guitarist Eric Schenkman, John Popper, and later Chris Barron, who was John Popper's Princeton, NJ high school friend. Popper left this side project to focus on his main gig with Blues Traveler full time. With a name change to 'Spin Doctors', as well as the addition of Aaron Comess and Mark White, the classic line-up was in place by the spring of 1989.

The Spin Doctors were signed to Epic Records/Sony Music by A&R executive Frankie LaRocka in 1991. The band's Epic debut EP Up for Grabs...Live was recorded live at The Wetlands Preserve in Lower Manhattan, and released in January 1991. (In November 1992, these EP tracks were remixed and supplemented by additional live recordings to form the album Homebelly Groove...Live.) The Spin Doctors were known for their somewhat lengthy live shows, sometimes jamming even more than is evident on the aforementioned live releases. They also often performed double-bill gigs opening for their friends Blues Traveler, with members of both bands all jamming together as the transition from the Spin Doctors set into the Blues Traveler set. The Spin Doctors have many songs from their early club days that were never officially released but remain circulated via concert recordings.
The Spin Doctors' debut studio album, Pocket Full of Kryptonite was released in August 1991. The band continued to play extensive live shows, gaining grassroots fans, as the album was mostly ignored commercially. In the summer of 1992, the band toured with the first ever line-up of the H.O.R.D.E. festival, sharing the stage with fellow jam bands like Widespread PanicBlues Traveler and Phish. That summer, commercial popularity heated up, as radio and MTV began playing "Little Miss Can't Be Wrong" and "Two Princes" directed by filmmaker Rich Murray (who directed many of the bands videos). The album went gold in September 1992, and then received another boost in sales after the band's appearance on Saturday Night Live in October 1992. Additional videos and singles followed for "What Time Is It", "How Could You Want Him (When You Know You Could Have Me?)", and "Jimmy Olsen's Blues". By June 1993 the album was triple platinum. Ultimately it sold over five million copies in the U.S. and another five million overseas, and peaked at # 3 on the Billboard top 200 album chart.
"[Their] popularity is based on universal rock & roll virtues," said Rolling Stone, which put the band on the cover of its January 7, 1993 issue. "The Doctors aren't trying to blaze new trails. They know we've been down this way with the StonesCurtis Mayfield, and a few of their other touchstones. But the proof—plenty of it—is in the party." The Spin Doctors made an appearance on Sesame Street, singing a modified version of "Two Princes" that emphasized the importance of sharing In late 1993 they recorded a cover of "Have You Ever Seen The Rain?", originally by Creedence Clearwater Revival, for the film Philadelphia.
The Spin Doctors' second studio album, Turn It Upside Down, released in June 1994, was not quite as commercially successful as Pocket Full of Kryptonite, though it did sell a million copies in the U.S. and a million overseas. The second single, "You Let Your Heart Go Too Fast," was a modest hit (# 42 on the pop chart). This album also featured "Cleopatra's Cat", "Mary Jane", "Hungry Hamed's" and "Bags Of Dirt." The band set out on a three-month headlining tour, and played to immense crowds at Woodstock '94 and the Glastonbury Festival. Shortly after the release of Turn It Upside Down, original guitarist Eric Schenkman left the band in September 1994, by walking offstage during a concert in Berkeley, California citing musical/personal differences, and being weary of the road. Eric was replaced by Anthony Krizan.
Featuring new guitarist Krizan, the Spin Doctors released You've Got to Believe in Something (May 1996). It produced the single and video "She Used To Be Mine". They performed onDavid Letterman's television show and did some touring, with Ivan Neville joining the band on keyboards. During this period, the Spin Doctors contributed the theme song to Seasons 2 and 3 of the television show Spin City. After touring wrapped up in the fall of 1996, guitarist Anthony Krizan eventually left the band, for reasons that remain relatively unknown. He was replaced by Israeli musician Eran Tabib after auditioning nearly 200 candidates. You've Got To Believe In Something did not live up to previous album sales, selling only 75,000 copies. Epic dropped the band in 1996.In 1998, the Spin Doctors signed to Uptown/Universal and released Here Comes the Bride in June 1999. During the recording of Here Comes The Bride, Mark White left the band. The bass tracks on the album were finished by original band member Aaron Comess. During the tour supporting Here Comes the Bride, Chris Barron lost his voice due to a rare acute form ofvocal cord paralysis that severely affected his ability to talk, let alone sing. He was told he had a 50-50 chance of ever talking or singing normally again. Keyboardist Ivan Neville took over vocal duties for a few dates, but the band eventually cancelled the remainder of its tour. Barron's voice came back in early 2000 (first comeback [solo] shows in March 2000), at which point he began performing with his band Chris Barron and the Give Daddy Five. Barron undertook what he calls "a journeyman songwriting experience," composing tunes withBlues Traveler's John Popper and with former BMI executive Jeff Cohen.
The Spin Doctors remained inactive as a band until September 2001, when news about the closing of legendary NYC venue Wetlands sparked the original four members to reunite. On September 7, 2001, the classic, original line-up took the stage for the first time since 1994 to play at Wetlands. It was the final closing week of the club. The landmark show was a great success for the fans and the band.
Odd shows followed in 2002 through 2005, which eventually led to a brand new studio album, Nice Talking to Me, released on September 13, 2005. The single "Can't Kick The Habit" was included on the soundtrack to the movie Grandma's Boy. It received moderate radio airplay, along with the songs "Margarita" and the title track "Nice Talking to Me". While the record received good reviews, follow-up proved difficult when the record company that released it went out of business.
Their song "Two Princes" was featured on the television show "The Sarah Silverman Program", where comedian Brian Posehn's character, Brian Spukowski, has a five-year-old iPod with only that song on it, which he listens to repeatedly whilst claiming to be an enthusiastic metalhead.
In 2008, the band continues to play one-off live shows in the USA and Europe.
in 2008 drummer Aaron Comess released an instrumental record of all his own compositions entitled "Catskills Cry" featuring bassist Tony Levin and guitarist Bill Dillon.
In 2009 Chris Barron released the solo record "Pancho and the Kid" on Valley Entertainment.
During the summer of 2010 Chris Barron released "Songs From The Summer of Sangria". This 5 song EP was his first official release with his band The Time Bandits.
In 2011 the band will celebrate the 20 year anniversary of "Pocket Full of Kryptonite". It is rumored that Sony Records will be releasing a 20th anniversary edition with bonus material.

Matisyahu:"One Day"


Matthew Paul Miller (born June 30, 1979), better known by his Hebrew name Matisyahu (Hebrew:מתתיהו) is an American Hasidic Jewishreggae musician.
Known for blending traditional Jewish themes with Reggaerock and hip hop beat-boxing sounds, Matisyahu's single "King Without a Crown" was a Top 40 hit in the United States of America. Since 2004, he has released three studio albums as well as two live albums, two remixCDs and one DVD featuring a live concert. Through his career, Matisyahu has worked with Bill Laswell and reggae producers Sly & Robbie.

Saturday, January 29, 2011

Gypsy Death and You:"Capital Jump"



 Gypsy Death and You
Wow I was having a tough time picking the Band of the Day today. So many bands in 2011 and so little space, but I’m drawn to the female singers…AGAIN. Ha, well Gypsy Death and You is the XX/XY indie shoegazers from Philly. Oh Philly, when was the last time we saw a band from the City of Brotherly Love…Free Energy? Dead Milkmen? Well Gypsy Death and You are brilliantly good. I mentioned earlier this week that this is shaping up to be the year of the female lead, Gypsy Death and You take Puro Instinct from yesterday and add My Bloody Valentine’s wall of wailing layered guitars. Not sure if you guys are familiar with My Vitriol from 2003ish, well Gypsy Death and You have that guitar sound nailed. The vocals are pure and while taking you up to the shoegaze cloud, Emily Cahill comes crashing down with Alex Wilson’s screeching Skinny Puppy guitars for the landing heard by the masses. They rock and Emily’s vocals are so alluring, I just can’t get enough. The Arizona Turk is doing his work.

Disappears:"Pearly Gates"


Rock re-appears with Disappears

Disappears
2011 is Becoming Rock Heaven! Another fantastic rock band, these boys are from Chicago and they are brilliant. Bottom-line Lux from Disappears was an amazing record. It was part Lou Reed par Iggy Pop/Stooges, part REM. Odd dichotomy, but it works. The title track “Lux” is so dizzyingly close to the weird Velvet Lou Reed echoed chants, that I thought it was him…but as you dig deeper, the distorted scuzzy tracks from their first album were on the verge of something really good. It reminds me of Bleach , the true Nirvana fan record. No big studio budget, just the three-some in the studio, Kurt screaming and Dave pounding away and a frenetic pace. Then Nevermind hit the streets and we all realized the garage screaming hatched perfection. I’m not comparing the boys sound to Nirvana, but I am comparing the evolution of the band. They could be big, it takes the voice of the fans to make it happen, but from the little I’ve heard from the new record Guider, this may just be the Chicago boys moment! Take a listen

Wolf People:"Tiny Circle"


Be prepared for some rock from Wolf People

Wolf People
I miss metal. I miss hard rock. I miss it all. I’ve admitted to my hessian days, my obsession with Maiden, Slayer, Danzig, etc. I’ve grown up but what I appreciate the most is the more jammy metal. Not Phish, but jam hard rock like our 2010 Hummingbird Faves Tame Impala or Dungen. It’s just timeless music that transcends all of it. Zeppelin long-term standing Sabbath’s recent hipster revival all stems from the fact that it’s just good music. Good music rises and rarely falls. The derivative does. So when you look at trail-blazers like Sabbath you find one quality that stamps them as “legend” great musicianship. Iommi plays guitar very well, Ozzy can belt it, etc. Wolf People may be that bands that carries the torch for 2011. 2011 is shaping up to be the ROCK HEAVEN. Where Tame Impala road the Swedish coat-tails of Dungen, I think Wolf People may be riding a whole new sound. Fine they use a flute on some tracks, Jethro Tull would argue they ripped them off, but where The Tull goes all renaissance fair, Wolf People stays put and really keeps the mood rock going. I’m obsessed with them. I liked Black Mountain and The Sword, but I love Wolf People. Just give em a try and I’ll bet you kick up the volume to 11. They’re brilliant. The new album Steeple was recorded in a converted barn studio in a 17th century Welsh mansion. They stayed in the servants quarters and recorded the album in the barn to create a sound that is so earthy and vibrant.